Tuesday, June 29, 2010

Fumbling Fingers?



I've been a member of Flutenet since 2001 but rarely post.
I've also had this question for just about as long.
I am 51 years old, and have been self taught. I started the flute when I was 26.
My biggest bugaboo is my finger technique. This goes for every piece of music I play.
Why is it that sometimes I can play a piece with just one or two fingering mistakes then shortly thereafter screw it up royally?
It happens even on the easiest of pieces. I have tried playing pieces at half speed with a metronome, and increasing it a couple of beats each time, but I still end up not being able to play it as I approach the normal speed. I even mess up at slower speeds. I have tried scales but I mess those up too.
Words of Wisdom Welcome.


Dear 51 yr. old,

I'm trying to imagine what you're describing. It's tricky to know
what's happening to you exactly. A video would help immeasurably.
When this happens with flute students in the lesson, there are some
frequent causes.

See if any of these apply:

Problem: The fingers flop and fly, but don't follow the brain's perception of the written music.
Possibly causes:

1. Your eyesight has changed, and you can't see the music well. This is the number one cause of muddled notes. Have your eyes tested for new glasses to rule this out.

Other possible causes:

2. There is a slow connection between the written symbols for music,
and an automatic fingering on the flute
. It seems as if the processing
of notation is garbled. Often this is due to trying to play music that
is too challenging too soon, playing at too high a level without prepatory exercises and scales, or trying to play hard music once a week, and not practicing on the other days.

Remedies: the student can:

a) practice short sessions throughout the day, concentrating on the
easiest exercises.
ie: go back to only one note and steady both hands, concentrating on
tone only. (3-5 minutes min.) Longtones read from the page re-connect
fingerings to symbols on page.

b) or...go back to simple finger patterns to retrain the brain. For
example: Play only two notes, played very slowly as a super-slow
trill. ie: F-G-F-G...etc. Note that this is only ONE FINGER MOVING at
a time.
For interest's sake concentrate on tone and evenness of one-finger-moves-only measured trills. There are good exercises for this in "Vade Mecum" by Walfrid Kujala, but any book of finger exercises will have two note slow trills.

c) or, take yourself back to the easiest flute books you can find and play only simplified pieces and exercises. For example, relearn those easy preparatory studies that are all in half-notes and whole notes. Play easily and simply.
Make music out of two or three notes, reversing their order and creating new fragments from note groupings. Memorize simple short note combinations away from the page. Work on tone and breathing and keep the music simple until you are more relaxed and co-ordinated.
Concentrate on line, breath, tone and simple fingerings that move
only one finger at a time.

3. Physical non-balanced stance and flute holding:

Video tape yourself, or go to a flute lesson and ask the teacher to "spot" you to see what you're doing that is excessive or causes finger-fumbling.
You could be doing something really idiosyncratic, like misaligning
the flute's headjoint, body and footjoint, raising the elbows or
shoulders very high, straining the wrists and forearms by twisting,
tightening your face and neck and/or contorting the hands and fingers
onto the flute.
See: http://www.jennifercluff.com/lineup.htm and check the posture and basic flute hold. Also see: http://www.jennifercluff.com/lineup.htm

Or:

You could inadvertently opening the thumb key or be lifting a left
hand finger ( For example: the A key opens in the left hand when
changing from D to E in the right hand when it doesn't actually need
to be lifted.)

This can be also can be caused by a non-balanced hand position where
the fingers are so uncomfortable they reposition themselves to stop
the weight of the rods from rolling the flute inward etc.
During this roll-and-grab, keyes can be opened unconsciously during
the "grab" phase.
Review 1 to 3 above and video tape yourself.

5. Strange mis-playing of notes can also be caused by pad leaks, where you have to really press down hard on, for example, the A key, in
order to make right hand notes like D and E speak clearly on your
flute. This excessive finger pressure has arisen so slowly it has gone
unnoticed, and now causes excessive tension in the hands while
playing, which causes fumbling.
Additionally the leaking pad can gap open unexpectedly during
non-related finger changes and cause you to re-grip the flute.

Have someone who plays flute well play-test your flute for leaks or
take it to repair.

6. Finally:
>>Why is it that sometimes I can play a piece with just one or two
>>fingering mistakes then shortly there after screw it up royally?<<

Are you trying to go too far, too fast?
Every day you'll want to start fresh. Start with simple one and two note warmups.
Don't rush the process.
Proceed to learning one scale a week, one or two notes at a time.
My favourite scale method is to add a note, and then return to the first note like this:
F----------(hold)
(slowly):
FGF------- (hold)
FGAGF-----
FGABbAGF------etc.

In general, if you can't yet play a short phrase of music three times correctly in a
row, and up to ten times correctly, you're not ready to play the music with dynamics, articulation and tempo increases. Take your time, slow down, and really become comfortable with fragments first, before adding any more skill sets.

A lot of flute students bash out a row of notes and then turn on the
metronome and start trying to force themselves to play it faster,
instead of making the notes beautiful in small groups of 2 to five
clusters of notes.

This is not like gym class where you force yourself to do 100 pushups by
sheer will power. Perhaps it's like trying to teach yourself to ski in your backyard, and then wondering why you're not able to tackle the professional ski hills with all the twists and turns.
With music it's a common misconception that speed is the goal, but really it is tone
and clarity that are the goals.

If this sounds likely, that you're overtaxing yourself before you're ready to layer up all the skills, then you'll want to slow your learning down until
every single note is perfect in tone, rhythm and direction before
adding another note to it. That's how the mind learns to listen on
many levels and correct mistakes before the "bashed out" version of
the piece becomes ingrained.

See my best advice on how to practice effectively.
Hope this helps and let us know what it turned out to be.

I'm betting that you need new glasses just now, and you used to be less
musically discerning when you first started playing, now are listening better, and have perhaps an overly-tense approach. :>)

A flute teacher will really help focus you on what to work on and how to do it in a balanced way to build skills more gradually.

Best,
Jen

Sunday, June 20, 2010

Rave reviews for my Celtic Trios


Dear Fluters,

I've been busy performing, and hence, ye olde blog posts have been few and far between, but guess what? Rave RAVE reviews on my celtic trios!

_______________
Hi Jen,

My test group is greatly enjoying your Carol & Celtic trio arrangements! The arrangements are interesting for all of the parts and sound much more difficult than you have actually written them. The retired music professor who conducts us loves the Handel Aria!

I teach and organize flute stuff in P___. Upcoming is our annual Holiday Showcase, for which our picturesque town closes the streets around the historic courthouse and 80+ businesses host a great variety of musical performances on a cold Friday night. This will be my fifteenth year of organizing three levels of Fluties, and your music will be the core of what the intermediate group will play this year.

Thanks so much for all of your work on these arrangements! I've looked at many, many flute ensemble arrangements over the years and believe that the beauty and simplicity of yours will ensure their long-term value for eclectic flute groups like ours.

Thanks! B.C.
__________________

Dear Jen,
We spent half our rehearsal yesterday on your trios - you are so right, they rock! What a talent you are, Jen. We didn't get to the Handel yet, but will next week.
So, my next question is, what else do you have? If you have a mailing list, by all means, add me to it. I adore your 'stuff'!
If you have the inclination or time, it would be helpful to our group if you could suggest some works that are 'must have'. We've spent a couple years building up a repertoire, but don't often run across works that 'rock'.

_________________
Jen,Our compliments on your Christmas flute trios which I purchased Saturday. The arrangements are beautiful with all three players getting some interesting parts to play. We performed them last night at a seniors’ centre and they were very well received. My friend is going to look at your website for some of your other trios. Happy Holidays and thank you! N.
_____________________
Jen, we love the trios I bought from you. Playing them at a restaurant next Friday night. Do you have any more for sale? We love the celtic stuff!
They are so beautiful and just the difficulty level we are looking for. Anything else you can recommend would be greatly appreciated. For future events, of course! You've got a great gift for arranging. Wish I was so talented! B.T.
____________________

Hello, Jen,
Thought I'd let you know that Fantasia has moved to our performance-ready repertoire. We plan to perform it as part of a short set of informal opening/seating music for a big concert in two weeks. Before that, though, we will include it as part of our musical program this coming week at an assisted living centre. I know that the seniors will really like Fantasia and our entire selection of Irish flute music. For now, we are staying with your suggestion of 3 c flutes.

Professional flute trio.
____________________________

Jen replies:
I'm so so happy to hear this. YAY!! :>D
Yes, I did think they rocked myself, ha ha ha!!
But readers, do please hear for yourself, if you haven't already!
And the beauty is that my celtic trios are sight-readable by intermediates and advanced player, and yet not too hard for a more novice group to work up.
Plus they do put you in a swoon of happiness. :>)

I'll add a list of great rockin' tunes for trio here (below), and then I'll put up some more of my own arrangements for sale. Thanks so much all you Celtic rockers out there!
Jen

Rockin' Trios we have also played:


Celtic Knotwork by Edward McGuire
This is a slow building soundscape like no other! FABULOUS!! We LOVED performing it. The layers of sound go across the trio as each flutist echoes the last fragment. Stunning, riveting.

Zempleni Trio by Lazlo Zempleni
This lively trio consists of three contrasting movements, and is one of the best of the flute trio literature; spunky and exotic, it is rhythmically captivating. Lazlo Zempleni is a Hungarian composer born in 1922.

Sephartic Medley by Sandra Howard
This four movement work of three traditional tunes (with the addition of the Gary Schocker piece as second mvmt.), depicts an exotic tale of travel and intrigue. We have particularly enjoyed spicing it up by adding Gary Schocker’s very interestingly titled piece as the second movement.
I Si Yona
II Three Nuns in the Desert (by Gary Schocker. Was avail. (free) at www.garyschocker.com))
III Mekhol Alaat
IV Honokdim

Casterede - Flutes en Vacances played as trio. (4th flute not necessary)

Three Little Maids from School - Sullivan Great humourous encore.

Other pieces our trio has enjoyed:
2 flutes and piano (if 3rd trio member plays piano):

The Water is Wide by Steve Tung - soothing, lovely, moving.

Soaring by Jennifer Grady - uplifting, refreshing, poetical.

Carillon from L'Arlesienne by Bizet - exciting, thrilling, like millions of bells (which is what "Carillon" means.) Arranged by Smim.

Also, for flute duo, there's my Wedding Duet book, including Pachelbel's Canon, The Flower Song from Lakme, and other great gigging tunes for wedding ceremonies check the blog post on that.

If you subscribe to this blog(at top right) you'll be the first to know when new works for trio/duo are ready to be ordered.

Thanks so much for the kind reviews.
Best,
Jen :>D YAY!