Sunday, July 29, 2007

Fab free flute concert online - Hutchins, Hoeppner etc.

Dear Flutists,
A wonderful online free, (to-listen-to-or-download) flute concert featuring flute solos, duos, quartets/quintets and some fabulous new flute ensemble arrangements. The quality of the recording is EXCELLENT!
Check it out. Can listen to entire, or select pieces individually.
Programme below; bios/photos of players also at this concert link:

Concert by the Flutists of the Montreal Symphony with guest Flutist Susan Hoeppner

Happy summer listening,
Jen :>)

Saturday, July 21, 2007

Denis Bouriakov might just blow your tiny mind!

Dear Flutists,
I recently received an email from a fellow flute teacher which contained this innocent, helpful sentence:

"Jen, You may like to check out D. Bouriakov's playing. I really like it."

Well thanks for the recommendation....as it just about blew my excellent tiny mind!

See if you all agree. (video)



Hear more:
Denis Bouriakov's website

You will be amazed to find that this 26 yr. old has just broken a new world's flute record for brilliance!

I for one, downloaded all the tracks, and burned them to a CD for repeated listenings.
I also ordered the transcription of the BWV 1004 by Bach (for flute) and the violin work by Saint Saens (which Bouriakov plays in the original key using octave transpositions where required.)
He also plays Schubert, Mozart and Jolivet. All for free download.

Yes, our minds will never be the same.
Please leave your comments below.

Feb 2018 update:

In the comments we were discussing Bouriakov's unique offset embouchure and whether or not he uses the much maligned "smile muscles". Jury is still out. Check out these amazing close ups in the videos on note bending below.

Note Bending part 1 (video)

Note Bending part 2 (video)




Amazingly idiosyncratic embouchure.
Best,
Jen :>)

Saturday, July 14, 2007

When I play all-tongued, I thpit too much

Dear Jen, I am seriously practicing the Taffanel now and my concern is that I salivate too much when I do a lot of tonguing. I constantly have to stop and clear my mouth and therefore can't play continuously for an entire exercise. Any past experience or knowledge about this? R.


Dear R. this is common. I think if you ignore it, break your tonguing practice into smaller sections, and take plenty of pauses, your body will gradually adjust to the new sensations, and stop misinterpretting them as "eating opportunities". From what I've read about on the various flute groups over the years, usually the problem goes away by itself for most people.

I wouldn't worry too much about it. But from my extensive reading about flute students who've had problems with saliva-buildup, here are some of the known causes and some solutions that are common to suggest;

Causes of over-salivation during flute tonguing exercises:

a) you are hungry and need to eat (hahahaha!) :>)
b) you just brushed your teeth with a sweet/sugar-flavoured toothpaste (or you just ate food without brushing your teeth, which is bad for pads, of course.) Therefore to get rid of the sugar rinse out the mouth with plain water before practicing.
c) you are salivating because you haven't practiced tonguing in a long, long time and your mouth thinks you're eating(!), not tonguing. :>) Practice in smaller sections, and alternate between all-tongued and all-slurred.
d) you are irritated by the saliva buildup because having just noticed it, you are over-sensitive to it because your brain is focussing on the mouth. Try to think of other things, and take more pauses in your work to swallow naturally.
e) you are irritated by the saliva buildup because you are not taking enough rests, but are attempting to play four-to-six pages of continuous sixteenth notes without stopping.......
Now...
This e) item is one I wish to address:
Taffanel and Gaubert Exercises are almost impossible to play in their entirety without adding rests or pauses. They cause hyperventilation unless you drop notes to breathe etc., and they are not meant to be played from beginning to end without pause, in my opinion.
I think it's a bit brutal to expect a student flutist to play non-stop until they've been practicing these exercises for a few years on a daily basis. Even then, I think it is still brutal.
I personally believe that you must realistically pause and breathe normally every few bars and then re-start the phrase again from the notes preceding the paused note.

That's how I teach Taff-Gaubert, and how I practice them myself.

Some additional factors to do with spit-buildup may have to do with tonguing too high/low in the mouth, or perhaps too far forward or back in the mouth.. So I always experiment with various syllables from "du, dooo, too, tuu". By constantly seeking the simplest, most useful tongue positions, I find that there are various positions for the tongue that can produce a better sound as well as an easier, simpler tongue motion in the mouth.

So be sure to check with your private teacher so they can help you check for:

f) creating too large a motion or too active a motion with the tongue. Simplify tongue motions.

Finally, I've I've heard other flute teachers attribute over-salivation problems to:
g) jutting your chin or jaw too far forward
h) tilting the head back which puts strain on the jaw (See Alexander Technique "startle position")
i) leaning too far forward to peer at the music stand, which causes saliva to pool in the front of the mouth.

All of these thrust the chin forward that one extra centimeter that can cause saliva buildup because of the similarity to an eating position of the mouth and chin.

So try:
a) balancing your weight in the middle of your feet (no weight leaning forward onto your toes)
b) bringing the chin "in and down". Tuck it down about 10% more than usual. Experiment with chin positions so that you find the least stressful angle for the jaw.
c) pull your rib-cage up from your hips to create a longer, taller torso. This will help balance the head better, so your jaw line is parallel to the floor, and your head is not thrusting forward.

Let me know if these tricks work for your tonguing-salivation problem. Best, Jen

Thursday, July 12, 2007

Playing the flute in tune

Hi there Flutists interested in good intonation! :>)
Firstly; A quick note to my flute-blog subscribers:
I've updated the pdf and mp3 files for yesterday's very fun warmup called "expanding intervals" . Had to repost the YouSendIt link in order to include some minor note corrections, so please download the corrected versions using the new link here. Thanks for discarding the older version (zip files with errors---eeeek!) :>)

Of interest to those working on tuning, the above warmup is FAB for working on tuning intervals! The playalong of solo flute is a perfect reference pitch in equal temperment.

Next topic:
Playing the flute with good intonation has been a problem for the last 150 years, as any professional flutist or teacher will tell you. Either you have "gifted ears" (very rare) or have to work on it somehow (no known method!!! Argh!) So to help with creating a new method for flute students to work at it, and have fun too, I've been writing articles by the score on how to help with flute intonation. Check this out:
Today I added an mp3 called "How to hear beats", for novice flutists. Help yourself to a listen.

The other tuning articles I have on my site are here:
Beginner Flutists: How to Tune Your Flute
Intermediate Flutists: Typical tuning problems-flat low register, sharp high register: how to fix.
also: Playing the flute in tune in ensembles.

And you may want to bookmark this one for your students and flutey friends:
All tuning articles about flute intonation.

Until the invention of "The Tuning CD" we often had to rely, as flutists, on theory, arguments over equal-temperment vs. natural tuning systems, and even consider mathematical ratios.
Good grief...boggles the mind, especially when the older flutes (pre-1975 for the most part) had horribly out-of-tune scales on them. But nowadays tuning is easier. There are new inventions, and new methods.
Please leave comments below if you have ideas to add. (see comment button below.)
I particularly have enjoyed using my notation software to create unison and harmony backing tracks (see previous two blog posts) to keep the pitch centered while playing for tone or technique. Very clever indeed!
Best,
Jen :>)

Wednesday, July 11, 2007

Expanding Intervals Warmup

Hello flutists!
I have written out an "expanding interval" exercise (originally the basic warmup that Ransom Wilson uses everyday) as a pdf, and also recorded it with a great accompaniment mp3 for playing along.
At the link below you will find the four files zipped together for free download
(approx. 6.5 mb):

Expanding Intervals zip file download

The above version was zipped up ready to go on July 15th, and has some corrections made to it (compared to the July 10th version.) So subscription members, please download the corrected version above instead of the one you were sent with your email subscription. Thanks and apologies for the errors (working too fast here. :>)

And enjoy the playalongs, everybody, for your summer practicing!!!
Do please leave comments with ideas and how you like it all....
Both Bob, (who originally gave me the Ransom Wilson exercise) and I are amazed at the simplicity and beauty, and very zen-like quality of this so very very cool warmup!
Best, and leave your comments please!
Jen :>)

Tuesday, July 10, 2007

Scalegame playalong mp3 to download

Dear Flutists,

I now have almost 70 subscribers! So here is a gift for you all:

The Taffanel & Gaubert 17 Daily Exercises book has a "scale game" that is called "E.J. 4".
I have written it out with some well-deserved RESTS :>) and a lovely harp part to keep you going!
I wrote it out in Sibelius, then made the flute part into a seven page pdf (with good page turns, unlike the original! peufff! (( :>P ) and then I recorded it with accompaniment as an mp3.
You can play along (adding your own pauses for extra breaths) at mm=100.
The full package, sheetmusic plus mp3 is free to download. Here is the link:

Jen's 9mb zip file with sheetmusic & mp3 for playalong

Enjoy your summer practice!!
More like this (hopefully) to come in the future. I'd love it if others would write some too, to add variety to our practice regimes, and share them with us all.
Leave your comments below if you would please. :>)

Best, Jen :>)